The Changing Role Of Fathers In The Last Thirty Years Free Essays

The world is dynamic and has witnessed major changes over the past decades. Lifestyles have changed and so have priorities. The role of fathers has not been left behind too; in the past three decades fathers have changed greatly. We will write a custom essay sample on The Changing Role Of Fathers In The Last Thirty Years or any similar topic only for you Order Now This is an evolution that has been necessitated by the changes occurring in the various aspects of human lives and relations. Nothing would exemplify this change in roles than taking a critical look at the image and responsibilities of fathers in the 1970s. By then fathers were highly authoritative and much of their time was spent working. They were expected to be the sole beneficiaries in the family. Fathers took care of the financial obligations such as school fees, bills, rent and others. Mothers were expected to play good housewives and take care of the children and the house. Respect and reverence characterized the father’s image; they were hard to understand and were looked upon by everyone in the house. This is a role that would slowly and gradually start changing on the 1980’s probably as feminism became institutionalized in almost all modern societies. Women were no longer wiling to stay indoors watching the house and children. They were taking up more challenging tasks that priory were a preserve of the men. This newfound competition would force men to adapt and start spending more time with their children. Fathers started being more responsible and nurturing to their children, playing a visible role in their upbringing. Men at this time were no longer the sole breadwinners; women were chipping in and meeting some of the costs of running the family and thus spending more time away from home. Men hence were forced to make concessions and play an active role with the children. Nothing has seen a rapid evolution during the past three decades than the father involvement in their children’s lives. A study conducted by Levine and Pleck amongst others operationalizes the above fact. The study revealed that over the last recent decades, fathers were able to spend more time than before with an increase of over 10 percent. It is also this period that saw fathers watching over their children at home when their mothers are out working.  (Levine, James and Pittnsky T. , 1997). The image of father across the 70’s and the 80 changed considerably, but it is the late 90s and the last years of this millennium that has almost accorded modern fathers completely new roles that would have been unimaginable thirty years ago. It is not in question that fathers are no longer the breadwinners and the authoritative figures of the past. Parents are supporting each other financially, emotionally and in other essential cores of raising the families. Today’s fathers are looking for their children and changing their diapers. They are taking the children to school and helping them with homework at home. They are even raising the children single handedly in case of death, separation or divorce of a spouse and doing a commendable job out of it. There are those that are divorced and granted periodic visitations, a new role that many are still grappling with. Being a good father is no longer defined along economic lines only, it is a composite product of responsibility at home and being there fore the children. Fathers are playing an important role and being more close to their children than before, their satisfaction according to surveys, emanates from spending more time with their families. Indeed the roles have changed. Men of today are supposed and expected by the society to take up more roles than before. They are no longer inhabited by the societal traditional norms that could see them present a macho figure. In today’s world, they are playing an active role bringing up the kids rather than sticking to the financial obligations alone. How to cite The Changing Role Of Fathers In The Last Thirty Years, Papers

Reformed Episcopal Seminary Essay Example For Students

Reformed Episcopal Seminary Essay Problems in Living9/13/2004Class ScriptureIsaiah 42:3A bruised reed shall he not break, and the smoking flax shall he notquench: he shall bring forth judgment unto truth. When you working with someone who is wounded, the heart has been damaged. So, when you work with this person, you must know how to love them and notbreak them. You find a way to structure them and contain them and notbreak them. 1. Psychiatry means medical therefore you use the medical model. a. The medical model does not fit when applied with scripture. b. The medical model uses a disease format. c. Any problem has to be labeled as a disease. i. e. alcoholism islabeled as a disease. 2. Four Layers of Psycho Pathologya. The brain layer the context with the brain layer is the brain asan organ. i. This is where the medical and disease model fits. ii. Brain as an organ is the territory of the neurologist. iii. Conditions where we can see (MRI) damage. iv. It is measurable brain pathology. v. Some people put ADHD at this level. vi. Alzheimers is at this level. b. Rhythm Layer (Systems) The body has drive states (appetites). i. Sleeping, eating, sex are rhythms. ii. Bi-polar disorder is a rhythmic thing. iii. Eating and sex additions (process addictions) you carry thedrug in your head. iv. ADHD technically belongs here. c. Character Driven Character is the same as personality. i. Personality is the sum of all your experiences. ii. It s how you thoughts, behaviors and emotions are organized. d. Constitution This is the technical term. i. This is your personal store what is unique to you. ii. Your personal story creates a psychological constitution. iii. Things at this level are easier to treat, because its mainlyenvironmental. Reformed Episcopal SeminaryProblems in Living9/20/04Christainpsych.org this is the website for the Society for ChristianPsychology. Direct Care You minister to people directly. Soul Care There is a spiritual side. We are concerned about orthodothcy(right beliefs) as well as how to bring that into practical living. 1. Personality Theory. There are ten personality disorders. 2. Four Layers of Psycho Pathologya. The brain layer the context with the brain layer is the brain asan organ. i. This is where the medical and disease model fits. ii. Brain as an organ is the territory of the neurologist. iii. Conditions where we can see (MRI) damage. iv. It is measurable brain pathology. v. Some people put ADHD at this level. vi. Alzheimers is at this level. b. Rhythm Layer (Systems) The body has drive states (appetites). i. Sleeping, eating and sex are rhythms. ii. Bi-polar disorder is a rhythmic thing. iii. Eating and sex additions (process addictions) you carry thedrug in your head. iv. ADHD technically belongs here. c. Character Driven Character is the same as personality. i. Personality is the sum of all your experiences. ii. It s how you thoughts, behaviors and emotions are organized. d. Constitution/Narrative This is the technical term. i. This is your personal store what is unique to you. ii. Your personal story creates a psychological constitution. iii. Things at this level are easier to treat, because its mainlyenvironmental. e. A person can have depression/anxiety form all four. 3. There are difference kids of depression. a. Bi-polar is different from narrsitist depression. 4. DSMa. It developed as a way of common language. 5. Your style processes emotions. .u2c84bbcb92d90d128c9b62f8b1762af2 , .u2c84bbcb92d90d128c9b62f8b1762af2 .postImageUrl , .u2c84bbcb92d90d128c9b62f8b1762af2 .centered-text-area { min-height: 80px; position: relative; } .u2c84bbcb92d90d128c9b62f8b1762af2 , .u2c84bbcb92d90d128c9b62f8b1762af2:hover , .u2c84bbcb92d90d128c9b62f8b1762af2:visited , .u2c84bbcb92d90d128c9b62f8b1762af2:active { border:0!important; } .u2c84bbcb92d90d128c9b62f8b1762af2 .clearfix:after { content: ""; display: table; clear: both; } .u2c84bbcb92d90d128c9b62f8b1762af2 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2c84bbcb92d90d128c9b62f8b1762af2:active , .u2c84bbcb92d90d128c9b62f8b1762af2:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2c84bbcb92d90d128c9b62f8b1762af2 .centered-text-area { width: 100%; position: relative ; } .u2c84bbcb92d90d128c9b62f8b1762af2 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2c84bbcb92d90d128c9b62f8b1762af2 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2c84bbcb92d90d128c9b62f8b1762af2 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2c84bbcb92d90d128c9b62f8b1762af2:hover .ctaButton { background-color: #34495E!important; } .u2c84bbcb92d90d128c9b62f8b1762af2 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2c84bbcb92d90d128c9b62f8b1762af2 .u2c84bbcb92d90d128c9b62f8b1762af2-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2c84bbcb92d90d128c9b62f8b1762af2:after { content: ""; display: block; clear: both; } READ: History of mental illness Essaya. If your personality organizes how you process, how people hear youis largely determined by their organized personality. 6. Ten Personalitya. Avoidance Fear rejection: this person will not get oncommittees, unless invited. Belief systems: Im not okay, butyoure okay and you have the power to reject me. b. Dependent They are anxiously driven: this person will greet youright after the sermon they will cling: Belief system: Im notokay, but you have the power to love me. Read DSM. If they let go,they will die. When the show up, they are not motivated by loveand giving. They are unable to give, they are takers. 7. Four Personality Types Must Prevalent. a. Narcisstic The language

Social Realism Essays - Art Movements, Art History, Modern Art

Social Realism Social Realism In Art Social realism, in art, describes both a specific stylistic approach and an overall attitude toward the subject. Social realism aims toward the not so lovely part of life. Its goal is not to amuse but to show the observer the evils of poverty , immorality and war. Social Realists believed that paintings should describe and express the people, their problems and their times. The roots of social realism lie in the 18th century. Some of the artists involved in the start of social realism are William Hogarth, Francisco de Goya and Honor Daumier. William Hogarth attacked drunkenness and foolish extravagance with his engravings of the 1730's to the '50's. Goya had a series of horrifying etchings titled The Disasters of War. Daumier had satiricial lithographs of the 1830's to '40's, that reflect deep social concern. Social realism painting declined, in France, after the 1860's which was the time it became important in Great Britian. Sir Luke Fildes's Applicants for Admission to a Casual Ward, Frank Holl's Newgate: Committed for Trial, and Hubert Herkomer's Pressing to the West depict grimy scenes of urban poverty. In the 1900's the British social realist tradition was carried on in the United States by the Ashcan school. After 1920 its emphasis was carried on by several major American painters. Ben Shahn was one of the artists in the 1920's and early '30's. He showed laborers and other victims of the Depression as well as scenes of the Sacco and Vanzetti trial and execution. Also Ivan Albright and Edward Hopper focused on the isolation of individual people in a society.

Learn How to Conjugate Produire (to Produce) in French

Learn How to Conjugate Produire (to Produce) in French The French verb  produire  looks similar to its English meaning of  to produce, so that makes it relatively easy to remember. However, if youre going to use it properly in a sentence, its necessary to know its  verb conjugations. These allow you to say things such as produced and producing and this lesson will help you learn those essential conjugates. The Basic Conjugations of  Produire French verb conjugations are not the easiest part of learning the language because you have many words to memorize. Some verbs are more challenging than others and, unfortunately,  produire  is one of those. Produire  is an  irregular verb  and it does not follow a regular conjugation pattern. However, it is not alone because all  French verbs ending in  -uire  are conjugated in the same way. To make each a little easier to learn, consider taking on a few at a time. The irregularity of this verb means you will have to commit all of its conjugates to memory. Beginning with the indicative mood is the best approach. This includes the basic present, future, and imperfect past tenses that you will use most often in conversation. Using the chart, match the subject pronoun with the appropriate tense for your subject. This will show you which ending is added to the verb stem (produi- ) to produce the conjugate. For example,  je produis  means I am producing while  nous produisions  means we produced. Present Future Imperfect je produis produirai produisais tu produis produiras produisais il produit produira produisait nous produisons produirons produisions vous produisez produirez produisiez ils produisent produiront produisaient The Present Participle of  Produire Acting as a verb, or a noun, adjective, or gerund in some circumstances, the  present participle  of  produire  adds -sant  to the stem. This produces the word  produisant. Produire  in the Compound Past Tense Passà © composà ©Ã‚  is the French compound past tense. This construction requires the  past participle  produit  along with the present tense conjugate of  avoir. When you put the two together, you get phrases such as  jai produit  (I produced) and  nous avons produit  (we produced). More Simple Conjugations of  Produire There are a few more basic conjugations you may need. Among those are  the subjunctive  and  the conditional. The former implies uncertainty while the latter is used in if...then situations. Both  the passà © simple  and  the imperfect subjunctive  are literary tenses and found most often in literature. Subjunctive Conditional Pass Simple Imperfect Subjunctive je produise produirais produisis produisisse tu produises produirais produisis produisisses il produise produirait produisit produist nous produisions produirions produismes produisissions vous produisiez produiriez produistes produisissiez ils produisent produiraient produisirent produisissent You might also find  the French imperative  useful for  produire. When you do use it, its okay to skip the subject pronoun and simply say  produis.​ Imperative (tu) produis (nous) produisons (vous) produisez

Aristotle Quote Essay Example | Topics and Well Written Essays - 250 words

Aristotle Quote - Essay Example Aristotle implies that every person should carefully analyze the circumstances of each situation and apply this advice, seek for an even solution. What is important is finding a mean of solving a situation, not necessarily by following blindly the general moral principles, but by carefully equilibrating one's hopes and desires in relation with the social demands. Aristotle suggests that circumstances dictate and sometimes even stand as an excuse for our behavior, but passion should not influence the core values of courage or boldness, depending on the case. Emotions and passions cannot be silenced and they do shape our life as humans, but the deliberation over a situation in a reasonable manner grants, if not always a clear solution, at least a better and, certainly ethical, aim in life; that aim is to make the best of our 'practical reason' that we can only acquire by learning how to act far from anxiety and pure instinct, under the influence of ethical values.

Chronicle of the Council Term Paper Example | Topics and Well Written Essays - 750 words

Chronicle of the Council - Term Paper Example In addition, the precursors to activism intended to redeem the image of God’s church and teachings are examined in this study. It is imperative to note that, this study is confined to specific period attributed to the occurrence of the event. The vivid picture given out by Pope Urban II on the situation brings out the true inspiration of a person who loves his country and its environs. The Chronicles of the Council of Clermont dates back the year 1095 when Catholic faith was most respected. It formed the basis of unity and harmony. A people that fears God and is deeds characterizes this period. This nation believes an alienated tribe from the Persians society should not mix with God’s clean people. The speech is culturally upright because it upholds the key principles of a united nation that can only come together when intruded. It is evident from the speech that the alienated tribe had no cultural principles that guided their moral conduct. This is seen when the aliena ted tribe is reportedly raping women. However, the cultural beliefs of the Greek nation depict its people as mature and respectable to human rights and dignity. The narrator depicts the natives as blessed by God and believes in the word of God, and this makes their culture to revolve in the Biblical teachings. This is evidenced by the numerous verse quoted and referred from the Bible by the narrator Pope Urban II. A remark by Pope in the speech, that the ancestor’s deeds inspire the natives to rise up and achieve the concerted war indicates a cultural inclination towards the invincible powers of the ancestors; particularly those lived up to good things when alive. For instance, the reference made to King Charles the Great and Louis is son. These two men represented the strength and attributed success for their nation. The speech examines an alienated tribe fro m the Persian community that as forcefully invaded the native’s land and nation with the aim of performing ala rming and shameful acts which are against the human rights. For instance, the alienated tribe extends acts of rape and killing to the native people. This sends a wake up call to both the religion and political leaders who raises their voices high in a bid to condemn the intruders. It is evidenced by the speech that the alienated tribe invaded the Christians land and began to depopulate them through massive killings in form of sword, fire and pillage. In addition, the enemy tribe succeeds to take way the natives as captives. More devastating is the alienated tribe that has continually destroyed God’s church, defiles altars and initiates their ungodly rites and religion. Pope Urban II in his speech expresses fear of loosing considerable number of the Christians through circumcision and base death where navels were perforated and the extremity of intestines dragged out. Indeed this marked the climax of inhumane. Similar acts of torture prompted Pope Urban to encourage the native s in the strongest terms possible to redeem themselves form the bondage of the alienated tribe. It is imperative to note that, Urban’s speech intended to send a strong signal to the minds of the natives that, time for liberation was ripe and it is all systems go to redeem tier nation from the yoke of an alienated tribe. Urban, keeps reminding them that God remained firm on His promises upon them, however, the sole responsibility of

The Work Of Saul Bass Film Studies Essay

The Work Of Saul Bass Film Studies Essay Moving and animated sequence titles are common to us nowdays. When we go to the cinema, play DVD or watch a movie in TV, we always know that there will be some. But what we do not usually know is who stands behind this mini-genre. No doubt, the man who is responsible for invinting the opening credit sequences as a free-standing movie-before-a-movie (Thomas, 1996) is Saul Bass, an American graphic designer and director. This essay will decribe his life and his most important outputs. Saul Bass was born on eighth May in 1920. As a kid, he was growing up in Bronx in New York. (Thomas, 1996; Brown, 2002) After graduating from high school, he studied Graphic Art at Brooklin College. Afterwards, he left New York for Hollywood and moved to Los Angeles. (Nourmand, 2000; Thomas, 1996) Initially, he was producing print work for film ads. For instance he created posters The Moon is Blue or Love in the Afternoon. In 1954, Otto Preminger approched Saul Bass and asked him to create a poster for his movie Carmen Jones . Saul Bass designed the poster with a strinkingly simple flaming black and red rose. (Nourmand, 2000). Otto Preminger liked Bass s work so much and decided to collaborated with him on the title sequence as well. (Brown, 2002) This was an important moment of Saul Bass s career. He recognised that graphic design and film design are closely related. Movie s first moments are very important and they create identification for movies. Otto Preminger liked Bass s seque nce title and therefore, one year later (1995), he called him on again to create a visual identity for The Man with the Golden Arm which experienced a great success. (Lamster, 2000, 129) Working on this project, Saul Bass got an idea of the title sequence which would be moving. He created the famous jagged arm design, suggesting the jarring and disjoined existence of drug addict (Nourmand, 2000) Usually titles named only movie, artists, director etc. Suddendly, it turned into an animamated event. Afterwards, Bass said (Lamster, 2000, 130): there was a time when titles were very interesting, going back to the early 1930s or even the late 1920s. Then it bogged down and became bad lettering produced by firms that ground out titles. What I did was reinvent the whole notion of using a title to create a little atmosphere. The idea of titling movies through animation became a classic mini-genre (Thomas, 1996). It influenced many artists and Bass s film-within-a-film (Neef et al., 2006, 166) became very popular. Not only Otto Preminger saw Saul Bass s potencial, Alfred Hitchcock asked him to design stuff for his movies as well. (Nourmand, 2000) Titles for Vertigo (1958), North by Northwest (1959) and Psycho (1960) were all created by Saul Bass. (Kolner, 2004, 104; Thomas, 1996; Nourmand, 2000) Saul Bass s sequence titles spoke to the audience in a familiar language (Brown, 2002) Neverthless, it always reflected the true complexity of the movie and drew out the most important features of the other s work. (Woloski, 2005) In Vertigo, Bass summates Scorie Ferguson s descent into an obsessive hell with the austere and hypnotic image of a spiral (Woloski, 2005) and Bass s title sequence for Psycho was created by linear movement of the black-and-white, horizontal lines, the more phallic orientation of Psycho s particular brand of violence (Kolner, 2004, 108) In Bass s titles for Hitchcock, he presented the director as a star and as an attraction, which made the hidden presence of Hitchcock even more felt. (Neef et al, 2006, 173-174). Regarding Psycho, Saul Bass collaborated with Hitchcock as a directors as well. He drew some sketches for the Psycho s scenes (Kolner, 2004, 17-24). Moreover, Psycho s title music which was composed by Hermann was actually inspired by the Saul Bass s animation. (Tonks, 2001). Saul Bass s techniques were various. He employed visual imagery, hand-drawn type, pictographs, construction paper shapes, cotoun animation, montage, music and many others. Moreover, he used colors and movements precisely and very effectively (Taylor, 2005; Haskett, 2005, 64) With his title sequences which we can describe as a visual references, he developed a new part of the modern business and commercial world . (Brown, 2002) Therefore, he won sich a wide accleim that he was sometimes called the Picasso of commercial artists . (Thomas, 1996) Furthermore, Saul Bass worked also as a director. To his movies belong The Searching Eye (1964), From Here to There (1964), Grand Prix (1966) and probably the most popular one called Why Man Creates (1968) (Lamster; 2000, 134; Taylor, 2005). In 1968, the short movie Why Man Creates was awarded as a Oscar-winning short film. (Lamster, 2000, 134; Thomas, 1996) Besides creating design for movie and directing movies by his own, he was a very a famous graphic designer of logotypes. He devised trademarks and corporate identifications for firms such as ATT, United Airlines, Bell System, Minolta, Quker Oats, Warner Communications, General Food and many others (Haskett, 2005, 64; Thomas, 1996; Economist Books, 2003, 117). We can claim he was a corporate identities genius. His trademarks were extraordinary, clean, legible, readable and symbolic. In the 1960s he created logotyped for lot of the biggest American companies. (Nourmand, 2000) Regarding his personal life. He was married twice. First marriage ended by diverce. His second wife, Elaine Makatura was initially the first employee of his own studio (Thomas, 1996) This versatil and innovative graphic designer died at the age of 75 at Cedars-Sinai Medal Center in Los Angles. According to family, he died on non-Hodgkins lymphoma (Thomas, 1996; Taylor, 2005; Nourmand, 2000) Saul Bass s reputation as a designer of film is legendary. He has left his incredible signature on a number of pictures by Preminger, Hitchcock, Kurbick, Wyler among others. (Need, 2006, 166-168) We remeber his handwriting from title sequences for The Man with the Golden Arm , Psycho or for example from his Academy Award-winning short movie Why Man Creates. His output is so broad and large. He created many posters, title sequences, movies, visual identities, corporate logos etc. He brought a new innovative thinking and working to Hollywood. His innovation created an army of imitators, many of whom have carried his ideas beyond his original conception. (Thomas, 1996). Such was an impact of his work that his style became alsmost a clich of the mid-fifties through the sixties because of how often they were imitated. (Lamster, 2000, 133). In my opinion, the work of Saul Bass contributed to the modern art very significantly and left behind a great heritage not only for design but also for movies. His ideas and new style of creating posters and titles brought to the art industry a new broader dimension. He definitely influenced the contemporary art.